The Morning After (hardback)

Sam Gardiner

About the book…

He sneakered home late with pockets
like panniers, so full of windfalls
they stretched his new Oxfam greatcoat
and buckled his knees, and he cursed
the builder that built the house
that creaked itself awake, because
he thought he had too many children
to know each one personally,
or remember whether they liked
sweet apples, bruised but not brown
where the earth had kissed them,
or had grown up and gone years ago.
 

- 'Windfalls' 

Sam Gardiner's third collection, The Morning After, shows a poet In full command of his gifts. 

Wry and rueful, these poems engage the reader In meditations on the great themes - Jove, loss and the Inevitable triumph of mortality. Honest, Intensely personal, the collection is about life lived In the shadow of opportunities missed, love gone astray and Illness and death, both of his friends and his own. 

Yet this Is not a collection of despair but one where the poet's very clear-sightedness affords joy, humour and consolation. An heir to the tradition of Thomas Hardy and Philip Larkin, Sam Gardiner's work Is lyric yet Intelligible, firm In its insistence that poetry Is grounded In real life.

Photo of the author, Sam Gardiner

About the author…

SAM GARDINER

AUTOBIOGRAPHY

Sam Gardiner was born in Portadown, County Armagh, in 1936. He attended Portadown College and his working life was spent in architecture and began in Lurgan where he was apprenticed to architect Jackson Blakely in 1954. His early studies of architecture and geology on day-release were followed by ten years with a Belfast practice working in many parts of Ireland under many conditions, including living in a hut in a sea of mud at St Vincent’s Hospital, Dublin.

He moved to London in 1969 during The Troubles (his colleagues and friends were both Catholic and Protestant) and continued in architecture, with occasional bouts of spare-time freelance journalism and reviewing, until 1978 when he was grant-aided by the Arts Council of Great Britain for producing three consecutive issues of The Poet’s Yearbook. But when Mrs Thatcher threatened to severely reduce all arts council funding he took refuge in architecture and remained there until his retirement in 1993.

1993 was the year his poem ‘Protestant Windows’ won the £3,000 first prize in the National Poetry Competition followed by smaller but useful amounts (from £50 to £250) in seven different competitions. ‘Protestant Windows’ gave its name to Gardiner’s debut collection published by Lagan Press in 2000, which has been fully reprinted and republished ten years later.

In 2002 Gardiner received an Arts Council of England Writer’s Award of £7,000 which helped him carry on with a second collection, The Night Ships, published by Lagan Press in 2007. His third collection, The Morning After, was published by Lagan Press in 2010, and both books have attracted considerable critical acclaim including favourable reviews in The Times Literary Supplement ­– ‘These poems embody the dance of the intellect among words and ideas. 

Graceful, humane and witty, they deserve a wide readership.’ and The Guardian – ‘Everyone should read these marvellous poems.’

Commentators have noted the influence of Thomas Hardy, Philip Larkin and Douglas Dunn in his poetry, and these he freely admits but would add Jonathan Swift and Derek Mahon and much poetry written, sometimes anonymously, in the centuries between.

New poems by Gardiner continue to appear regularly in leading literary magazines and occasional pamphlets come from sundry sources, such as a 30-page pamphlet The Picture Never Taken from Smith/Doorstop Books and De Nooit Gemaakte Foto from Wagner & Santen, Amsterdam, a 17-page pamphlet of Gardiner’s poems translated into Dutch. He is an active member of local poetry groups and has conducted workshops for the local authority.

At present Gardiner lives in Grimsby on the North Sea coast. He is married to a psychiatric nurse, has a daughter and two granddaughters living in England and a son and grandson in Ireland.